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Collective

Feb 11, 2017 Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Feb 5, 2017 Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

The Branded Life

On the Channel

Jan 10, 2017 Mass culture is the subject of both celebration and critique in our latest Short + Feature, premiering today on the Criterion Channel. This week’s program highlights two French films that satirize the ubiquity of consumerism: Jean Luc Godard’s inventively free-form...

Jul 20, 2016 In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.

Jul 6, 2016 The screenwriter and director chats about the origins of his 2015 debut feature, Les cowboys, the differing experiences of being a screenwriter and a director, and his voracious consumption of cinema.

Apr 22, 2016 Writer Harold Schechter shares a list of five true-crime films that encapsulate the essence of fear—including collection favorites In Cold Blood, The Honeymoon Killers, and Badlands—in the Library of America’s biweekly Moviegoer column.

Mar 15, 2016 Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.

Mar 11, 2016 Valley of Love (2015), dir. Guillaume Nicloux “Filmmaking is a collective assemblage of desires,” said Isabelle Huppert when we sat down to talk on a recent morning. We were speaking about how she picks her roles, and how her own intuition...

Nov 3, 2015 We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.

Oct 27, 2015 Earlier this month the cinema world lost Chantal Akerman, one of the field's most vital and influential artists. For nearly fifty years, the renowned Belgian filmmaker not only shaped moviemaking with her daring and profound narrative films and documentaries, but...

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