By Any Means

Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.

Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.

Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.

Jun 21, 2016 — Animated in Czechoslovakia amid a Soviet invasion, the French film Fantastic Planet, the third collaboration between René Laloux and Roland Topor, timelessly renders its surreal sci-fi story of captivity and resistance.

Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”

May 26, 2016 — During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...