Feb 7, 2020 Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)

Doc Fortnight 2020

The Daily

Feb 5, 2020 MoMA’s annual festival of nonfiction film and media is “eclectic by design.”

Feb 3, 2020 Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.

Jan 29, 2020 It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Jan 6, 2020 1917 is now repositioned as a late frontrunner in the Oscar race.

Dec 12, 2019 Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Nov 15, 2019 It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

Nov 13, 2019 Flowers and vegetables pulse, slither, and take dirigible flight; a horse becomes a pampered, petulant lover; a diminutive porcelain mouse transforms into a muscled superhero to save a beleaguered heroine: these are just some of the arresting images in the...

Oct 31, 2019 A series of films by one of India’s greatest and most fiercely independent directors opens in New York.

Tokyo in New York

The Daily

Oct 17, 2019 Two series offer a wide range of thematic and historical perspectives on the Japanese capital.

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