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After Everything

Apr 2, 2021 One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...

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The Daily

Apr 2, 2021 More mysteries from Rian Johnson plus notes on forthcoming films from Steven Spielberg, Ryusuke Hamaguchi, Alma Har’el, and more.

Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

Mar 26, 2021 In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.

Mar 19, 2021 As skillful at capturing people’s essences as she is at conveying the textures and patterns of haute couture, Brooklyn-based artist Lauren Tamaki has brightened up the pages of such publications as New York Times and the New Yorker with her...

Mar 10, 2021 For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...

Mar 9, 2021 Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.

Mar 5, 2021 Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

Mar 5, 2021 When the photographer Mary Ellen Mark died in 2015 at age seventy-five from myelodysplastic syndrome, she left behind a vast and varied five-decade trail of portraits and documentary pictures, collected in twenty books and dozens of exhibitions, radical in their...

Feb 24, 2021 We’re losing Cinefex but gaining a newly robust Screen Slate. And the new Cineaste is out, along with this year’s Hollywood issue of Vanity Fair.

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