The Criterion Collection
Essays
Jul 27, 2009 — We enter Roman Polanski’s harrowing Repulsion as if in the middle of the story, but it’s actually the beginning of the end. Polanski unceremoniously drops us into a beauty salon where a pampered matron takes to task our heroine, a...
Essays
Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...
Mar 18, 2025 — In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.
Jun 10, 2024 — The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.
Dec 14, 2020 — This year’s selection features a record number of films directed by women and people of color.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
Essays
Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.