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A Moment to Remember

May 3, 2011 French auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. Along with Patrice Chéreau (Intimacy, 2001), Léos Carax (Pola X, 1999), Virginie Despentes and Coralie Trinh Thi (Baise-moi, 2000), and Gaspar Noé...

Mar 29, 2011 As the only film of a Gilbert and Sullivan opera brought to the screen with the participation of the D’Oyly Carte Opera Company, Victor Schertzinger’s 1939 Technicolor The Mikado is a unique specimen; however one rates it, there is nothing with...

Dec 1, 2009 The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Jun 18, 2007 The audacious and outrageous political comedy by Yugoslav filmmaker Dušan Makavejev jolts viewers out of complacency and encourages freedom, creativity, and bliss.

Nov 14, 2024 BAM revisits the culture wars in a series that includes films by Martin Scorsese, Todd Haynes, and David Cronenberg.

Oct 18, 2016 Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

Do Look Back

The Daily

Jul 26, 2019 This week’s round features conversations with Abbas Kiarostami, Christopher Doyle, Julia Loktev, and Barry Jenkins.

The Call of the Wild

On the Channel

Jan 1, 2017 The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...

Dec 10, 2017 Awards season brings us not only lists and prizes but also roundtables. The Los Angeles Times’ Mark Olsen’s recently led a conversation among seven directors: Darren Aronofsky (mother!), Sean Baker (The Florida Project), Kathryn Bigelow (Detroit), Guillermo del Toro (The...

Nov 25, 2025 Inspired by Arthur Schnitzler’s 1926 novella Traumnovelle, Stanley Kubrick’s final film is a deeply personal examination of the fragility of marriage and the destructive power of sexual fantasy.

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