The Criterion Collection
Sneak Peeks
Jul 23, 2013 — The Oscar-winning Babette’s Feast has a cinematic flavor unlike any other film. Director Gabriel Axel invites viewers to swoon over the sensual and spiritual experience of the climactic meal as if they were eating it themselves. By the end of...
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Sneak Peeks
Jun 12, 2013 — Among the special features new to our Blu-ray edition of Ingmar Bergman’s Wild Strawberries is a remarkable sixteen minutes of silent 16 mm footage filmed by Bergman himself on set. The images provide insight into how certain scenes were shot,...
Jun 7, 2013 — Did You See This?• A history of the never land of Nikkatsu • See you at the drive-in. • Will this new bar have a happy hour? • A colorful glimpse of New York, 1939 • To thine own Shakespeare...
In Theaters
May 23, 2013 — Repertory PicksAudiences in New York have a chance to see a rarely screened cinematic spellbinder on the big screen this Memorial Day weekend. On Sunday, František Vláčil’s singular Czech triumph Marketa Lazarová will be playing at Anthology Film Archives as...
May 3, 2013 — Did You See This?• Watch (above) or read Steven Soderbergh’s already famous state-of-the-art address. • Noah Baumbach and Greta Gerwig hit the streets. • Talk about micro-cinema! • Charting the course of neorealism across continents • Talking to Olivier Assayas,...
Tech Corner
Apr 22, 2013 — Restoration SpotlightShot in VistaVision and Technicolor, Richard III is the most eye-catching of Laurence Olivier’s essential big-screen Shakespeare adaptations. For years, it couldn’t be seen in its original glory, due to lost footage, faded colors, chemical staining, and missing frames....
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.