The Brazilwood Man

Jul 5, 2022 — A Reverse Shot roundtable and the new issue of Cinema Scope delve into Crimes of the Future.

Jun 30, 2022 — Wim Wenders, Alice Diop, Pedro Almodóvar, and the Cinémathèque française feature in this week’s picks.

Jun 29, 2022 — “It’s less about breaking the rules than just being able to construct new rules,” says the artist and filmmaker.

Jun 23, 2022 — Along with celebrations of Dario Argento and George A. Romero, the season brings a series of more than a hundred nightmares.

Jun 16, 2022 — The Film at Lincoln Center retrospective features seventeen new restorations overseen by the director himself.

Jun 7, 2022 — Olivier Assayas has his reasons for retelling the story of a remake.

May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.

May 25, 2022 — Park returns to the competition in Cannes with a Hitchcockian murder mystery.

May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.