The Criterion Collection
Nov 18, 2020 — In Chris Marker’s Sans Soleil (1983), often considered the essay film, we meet the wildcat video game designer Hayao Yamaneko, who imports scenes from his life into his memory machine. The machine is shown only in parts: a slider being...
The Daily
Oct 13, 2020 — Some critics are amused, others aren’t, but everyone agrees that Michelle Pfeiffer is outstanding.
The Daily
Apr 7, 2020 — How a festival responds to this crisis says a lot about how it perceives its role.
In Theaters
Feb 21, 2020 — Few big-screen depictions of World War II have brought its atrocities to life with the brutality and cinematic ingenuity of Come and See, the legendary final film by Soviet director Elem Klimov. A restoration of this masterpiece opens today at...
The Daily
Feb 5, 2020 — MoMA’s annual festival of nonfiction film and media is “eclectic by design.”
Nov 22, 2019 — Critics are praising the French New Wave icon’s joyous and reflective final film, which hits theaters in New York this week.
The Daily
Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.
The Daily
Oct 18, 2019 — Maurice Pialat, Jean-Michel Basquiat, Béla Tarr, Robert Eggers, and Disney’s most notorious feature make for a rough and tumble week.
The Daily
Sep 3, 2019 — Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.
Features
Aug 20, 2019 — For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...