The Criterion Collection
Nov 10, 2025 — Olivia Laing is a writer and critic. Their books include The Lonely City, Funny Weather, and Crudo. Their latest novel, The Silver Book, is about the making of Federico Fellini’s Casanova and Pier Paolo Pasolini’s apocalyptic masterpiece, Salò, or The...
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Nov 3, 2025 — Beginning on November 24, the Criterion Channel will exclusively premiere the long-awaited television series from visionary director Wong Kar Wai.
Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Oct 27, 2025 — BAFTA-nominated British actor Harris Dickinson burst onto the scene in Eliza Hittman’s 2017 Sundance hit Beach Rats. He has since starred in films such as Triangle of Sadness, Babygirl, and The Iron Claw. His directorial debut feature, Urchin, premiered at...
Oct 9, 2025 — Legendary pop duo Sparks—the fifty-plus-year-long project of brothers Ron and Russell Mael—was formed in 1971. Earlier this year, they released their twenty-eighth studio album, MAD!, via Transgressive Records. Their latest release, the EP MADDER!, was released in October.Very few artists...
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Sep 26, 2025 — One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.