The Criterion Collection
Essays
May 24, 1999 — Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most...
Essays
Jan 11, 1999 — In 1910 Sir William Mackenzie hired Robert Flaherty to prospect the vast area east of the Hudson Bay for its railway and mineral potential. Over the course of several years and through four lengthy expeditions Flaherty had frequent contact with...
Essays
Aug 25, 1998 — Abeautiful woman is mysteriously beating the bejesus out of a drunk when he suddenly pulls at her hair and it comes off. The now totally bald woman continues smacking him around with her shoe until he falls to the ground....
Essays
Jul 14, 1998 — Adirector who knows his genres, Jonathan Demme has never been able to resist turning them inside out. Starting in the film industry as a publicist, Demme was soon hired by Roger Corman as a scriptwriter and then as a director....
Jun 3, 1991 — Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...
Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...
Essays
Oct 12, 1987 — For more than forty years, The Seventh Seal has been a benchmark by which all other great foreign films are judged. It launched the international career of its director, Ingmar Bergman, and made a star of its 27-year-old leading actor,...
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
The performer, comedian, and author praises Hedwig and the Angry Inch as a drag-queen staple, discovers a lacerating self-portrait by Richard Pryor, and talks about the immense cultural impact of Paris Is Burning.