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The Casagrandes Movie

The Other Side of the Tracks

Production Notes

May 2, 2007 At Criterion, producers spend a lot of time talking about each DVD release—from cover art and liner notes to the special features we present. In the case of the latter, we have a pretty elaborate system in place. We start...

Nov 20, 2006 It’s been a few weeks since Peter and I started this blog, and we are gratified that the response has been so positive. We debated for a while whether or not I should have hot-linked my email address last week,...

Nov 13, 2006 There’s a store called Stew Leonard’s near where I live. When you walk in, you can see the customer service rules hanging above the entrance. It’s simple—there are only two: Rule one: The customer is always right; Rule two: When...

Nov 21, 2005 Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...

Aug 22, 2005 Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.

Jun 27, 2005 Like his earlier adaptations of Terence Rattigan plays, Anthony Asquith’s late work is bereft of heavy-handed directorial flourishes.

Aug 23, 2004 This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.

Aug 2, 2004 Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.

Jun 3, 2002 Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.

Jun 3, 2002 By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...

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