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Into the Okavango

Jan 20, 2016 Earlier this month, we lost Vilmos Zsigmond, the venerated Hungarian cinematographer. Not only was he one of the greatest directors of photography in the world—known for his influential work with Robert Altman, Steven Spielberg, and Brian De Palma, among others—Zsigmond...

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Apr 29, 2014 One legendary American director pays tribute to another.

Rushmore

Essays

Nov 22, 2011 The title of Wes Anderson’s Rushmore refers to the ivy-covered prep school attended by the film’s central character, Max Fischer (Jason Schwartzman). Max, with his bushy eyebrows and imposing glasses, loves his school beyond reason and is Rushmore’s number one...

Jun 27, 2011 Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...

Jan 18, 2011 By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...

Jul 1, 2009 Almost thirty years have gone by since Wallace Shawn and André Gregory sat down for dinner on the Upper West Side and talked (and talked) their way into film history. So for our new special edition DVD of that encounter,...

One of cinema’s great modern directors, this larger-than-life maestro created an inimitable cinematic style combining surreal carnival with incisive social critique.

Amarcord

Essays

Nov 22, 1999 Amarcord presents a scathing satirical critique of Italian provincial life during the 1930s, the height of the fascist period (1922–43). In this era, Mussolini’s dictatorship enjoyed its greatest popular support. While Fellini’s depiction of the provincial world under fascism provides...

Feb 22, 1999 Flipping around the channels of late-night TV in my Tokyo apartment in 1984 I came across what seemed like a B movie from the ’60s. The studio: Nikkatsu. The star: Joe Shishido. The director: Seijun Suzuki. I was not at...

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