The Criterion Collection
Apr 10, 2019 — One Scene Dušan Makavejev’s boundary-pushing 1974 film Sweet Movie gleefully skewers the forces of social oppression with a twisted double narrative and Day-Glo scenarios. At a time when the director’s native Yugoslavia was carving out a unique position somewhere between the political...
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Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.
The Daily
Mar 22, 2019 — This week spotlights George Cukor, Chantal Akerman, Straub-Huillet, Antonioni, and the feud between Clint Eastwood and Pauline Kael.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
The Daily
Mar 18, 2019 — The artist and pioneering lesbian filmmaker leaves behind paintings, writings, nearly eighty films, and a grant for aspiring filmmakers.
The Daily
Mar 7, 2019 — The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.
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Feb 25, 2019 — Turns out, not everyone loves a winner.
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Feb 21, 2019 — The Film Society of Lincoln Center’s series Neighboring Scenes spotlights promising new talents.
The Daily
Feb 6, 2019 — Ten forward-looking features and a few intriguing revivals will screen from today through Sunday in New York.
Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...