The Criterion Collection
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.
Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...
Essays
Jul 21, 2008 — Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.
Essays
Jun 27, 2005 — Like his earlier adaptations of Terence Rattigan plays, Anthony Asquith’s late work is bereft of heavy-handed directorial flourishes.
Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.