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Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 7, 2023 Nearly half of the films premiering in January will come from first-time directors, but there’ll also be new work from Steven Soderbergh and Richard Linklater.

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Nov 29, 2023 To watch Matt Wolf’s revelatory documentaries is to see life as a moving collage in which the past and present are woven together. Over the course of nine intensely researched and intricately crafted features and shorts, Wolf has combined his passion for...

Nov 22, 2023 Quite an emotional range this week, from musicals and romantic comedies to the terror of nuclear war.

Nov 21, 2023 The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...

Nov 21, 2023 What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...

Nov 17, 2023 Todd Haynes and Tilda Swinton take questions, and Guy Maddin fibs every now and then.

Nov 14, 2023 The leading editorial voice of Positif, the great critic and historian gave us essential books on Kubrick and Campion.

Nov 7, 2023 By the end of the 1970s, everything had changed for Jackie Chan. He had cowritten, directed, and starred in The Fearless Hyena, which became the top-grossing Hong Kong film of 1979. His next project, The Young Master, would top that...

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