The Criterion Collection
Nov 6, 2006 — The circumstances of our first encounters with movies are often as memorable as the movies themselves. Sometimes the juxtaposition of movie and circumstance seems merely accidental; but there are those films that change us enough that we can identify the...
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Oct 24, 2005 — The hero in Masahiro Shinoda’s popular samurai movie is both a genre figure and an ordinary character, both killer and savior, both larger than life and lost in the mists.
Aug 22, 2005 — Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.
Essays
Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.
Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Jan 17, 2005 — Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker.
Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.