The Criterion Collection
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Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...
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Mar 18, 2020 — People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...
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Mar 16, 2020 — This month we’re reading about Helen Scott, a liaison between Paris and Hollywood; Anna Karina’s novels; William Faulkner’s screenplays; and more.
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Mar 9, 2020 — The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.
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Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
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Feb 18, 2020 — From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.
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Feb 10, 2020 — The ragman’s son became one of Hollywood’s brightest stars, working most memorably with Wilder, Minnelli, and Kubrick.
Jan 21, 2020 — Melancholy and offbeat, Anna Mantzaris’s stop-motion animated short Good Intentions tells the tale of a woman involved in a hit-and-run accident that sparks a chain of strange occurrences. Using chubby-cheeked felt puppets that might suggest a more charming, whimsical type of story,...
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Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
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Jan 17, 2020 — Cocteau in the ’50s, Jane Fonda in the ’60s, and Dustin Hoffman and Meryl Streep in the ’70s feature in this week’s round.