Talk to Her

Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Dec 10, 2017 — Awards season brings us not only lists and prizes but also roundtables. The Los Angeles Times’ Mark Olsen’s recently led a conversation among seven directors: Darren Aronofsky (mother!), Sean Baker (The Florida Project), Kathryn Bigelow (Detroit), Guillermo del Toro (The...

Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...

Nov 25, 2017 — New York. “It’s the Jacques Rivette movie for people who can’t stand Jacques Rivette movies—and yet no one else could’ve made it.” Michael Atkinson for the Village Voice: “La Belle Noiseuse (1991), now restored and rereleased in all its four-solid-hour...

Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...

Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Nov 9, 2017 — This year’s AFI Fest opens tonight in Los Angeles with Dee Rees’s Mudbound and was to have closed on November 16 with Ridley Scott’s All the Money in the World—until Sony Pictures pulled it from the lineup in the wake...

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...

Oct 14, 2017 — Woody Allen’s Wonder Wheel is “a passionate comedic drama that unfolds some of the tones of Allen’s youth,” writes the New Yorker’s Richard Brody. “It’s set in the early nineteen-fifties, in Coney Island, and Allen lends the drama a structure...