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Sep 14, 2023 Male aggression threatens women’s lives in Kitty Green’s follow-up to The Assistant and Anna Kendrick’s debut feature.

Sep 8, 2023 The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.

Sep 6, 2023 Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Aug 25, 2023 Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 22, 2023 A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.

Aug 11, 2023 Back in the early 1980s, people were still trying to figure hip-hop out.Now in its fiftieth year, this cultural movement built by DJs, rappers, break dancers, and graffiti writers began in New York, spreading from the South Bronx to the...

Aug 11, 2023 Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

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