Spring

Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.

Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.

Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.

Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.

Jul 9, 2001 — John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.

Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

Apr 23, 2001 — Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...

Nov 1, 1999 — The Unbearable Lightness of Being is a profoundly beguiling movie about sex, love, and rebellion.

Jun 21, 1999 — Laurence Olivier’s Henry V today seems like nothing less than a miracle in answer to the Chorus’s call for “a muse of fire that would ascend the brightest heaven of invention.” It’s a dazzling adaptation of a Shakespeare play, made...

May 24, 1999 — Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most...