The Criterion Collection
The Daily
Sep 23, 2022 — This week: An appreciation of Marilyn Monroe, a conversation with Karim Aïnouz, and a preview of the year’s scariest season.
Sep 20, 2022 — The Canadian auteur Atom Egoyan’s strip-club-set drama is an intricate tapestry of grief and trauma, held together by a longing for human connection.
The Daily
Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.
The Daily
Sep 12, 2022 — Laura Poitras, Alice Diop, Luca Guadagnino, and Martin McDonagh win top awards in Venice.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
Essays
Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.
Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.