The Criterion Collection
Nov 23, 2021 — Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...
Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.
Jun 25, 2021 — This week’s highlights include a new issue of Cinema Year Zero, a dossier from Sky Hopinka, and an excellent new name for a subgenre.
The Daily
Apr 2, 2021 — More mysteries from Rian Johnson plus notes on forthcoming films from Steven Spielberg, Ryusuke Hamaguchi, Alma Har’el, and more.
Essays
Feb 24, 2021 — Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...
The Daily
Feb 12, 2021 — The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.
The Daily
Feb 8, 2021 — This year’s winners come from India, Corsica, Kosovo, Argentina, Bosnia and Herzegovina, and Thailand.
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Jan 7, 2021 — That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...