Apr 24, 2006 M ade in 1965 and still considered by many to be Marco Bellocchio’s masterpiece, Fists in the Pocket foreshadows the years of student protest in a family tragedy bordering on horror. This seminal first feature catapulted the twenty-six-year-old Bellocchio to...

Feb 13, 2006 Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.

Jul 25, 2005 Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.

Jul 11, 2005 The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.

May 9, 2005 Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.

Dec 6, 2004 In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.

Aug 2, 2004 Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.

May 24, 2004 Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.

Feb 2, 2004 A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema

Dec 30, 2003 In 1936 the rise of Hitler in Germany and the Popular Front in France created within the French Left a new sense of solidarity with the Soviet Union. In that context the Russian immigrant producer Alexander Kamenka asked Jean Renoir...

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