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Fubar II

Apr 7, 2017 Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.

Mar 23, 2017 With a monumental body of work spanning nearly six decades, thirty feature films, and a staggering array of styles and genres, Akira Kurosawa has been a cornerstone of our collection since we released Seven Samurai as our second Criterion edition...

Mar 7, 2017 With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.

Mar 6, 2017 To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Feb 23, 2017 An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Rossellini in Indiana

In Theaters

Feb 23, 2017 Repertory PicksThe Indiana University Cinema will screen Roberto Rossellini’s 1946 film Paisan on 35 mm this Saturday as part of its ongoing series of twentieth-century masterworks, City Lights. This unsparing depiction of Italy at the end of World War II...

Feb 20, 2017 Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Jan 30, 2017 It wasn’t until the second half of his life that Senegalese master Ousmane Sembène dedicated himself to cinema, with his debut feature, Black Girl, premiering in 1966 when he was forty-three. Already an acclaimed novelist, Sembène had lived in France...

Jan 23, 2017 In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

Dec 14, 2016 Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

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