Cover-Up

Dec 13, 2006 — Well, it’s not exactly writer’s block, but it’s related. I’ve been trying to get this blog entry posted since Tuesday afternoon, but there’s always something that takes me away from the task at hand. I’m procrastinating, and I know why:...

Apr 17, 2006 — Another movie, another cause célèbre: this mysterious film by Orson Welles has been dismissed as a disaster and hailed as a masterpiece.

Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.

Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.

Sep 13, 2004 — The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...

Jun 21, 2004 — Nouvelle vague euphoria was at its height when Jean-Luc Godard made his enormously clever third feature.

Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.

Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Mar 4, 1989 — Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.