Closer

Jul 3, 2009 — It’s often said that there’s never been a movie quite like Alain Resnais’ Last Year at Marienbad. But in paying tribute to this French New Wave landmark on the occasion of its release in Criterion DVD and Blu-ray editions, some...

Jun 3, 2009 — We’ve pieced together comments from production designer Donald Burt and property master Hope Parrish of working with the supermeticulous and precise David Fincher on perfecting the atmosphere and historical accuracy of The Curious Case of Benjamin Button. You can click...

May 17, 2009 — Since the release of the Eclipse box set Travels with Hiroshi Shimizu, the following for the insanely prolific Japanese director has been growing steadily. Of course, David Bordwell’s been a fan for quite some time. On his website, the famous...

May 5, 2009 — Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.

Jan 25, 2009 — Conventional wisdom once held that any European film worth seeing passed through the New York Film Festival. Still, when I first began reviewing movies for the Village Voice in the late seventies, there were some legendary exceptions: Tarkovsky’s The Mirror,...

Aug 18, 2008 — One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.

Jul 21, 2008 — A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.

Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...

May 12, 2008 — This intensely personal work about a self-destructive young man would help alleviate Louis Malle’s doubts about his career.

Apr 21, 2008 — There’s an irony to the fact that Japanese master filmmaker Yasujiro Ozu lived his life as a bachelor, for he made some of the world’s most insightful, lived-in, and emotionally authentic films about marriage and parenthood.