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Celebration

Jan 21, 2008 Lindsay Anderson’s adaptation of David Storey’s novel is a clenched fist of a movie that follows a professional Rugby League player who instinctively channels feeling through physical aggression.

Jan 14, 2008 As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.

Oct 22, 2007 Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.

Sep 17, 2007 G. W. Pabst’s adaptation of the play by Bertolt Brecht transforms the original without betraying it, softening its cynicism with humanity and integrating elements of psychoanalysis.

Sep 3, 2007 Ataxi, without a client in the car or anywhere else in sight, goes around Helsinki’s Senate Square, a place that resonates with history, having seen more patriotism, class struggle, and celebration than any other place in faraway Finland. It stood...

Sep 3, 2007 It came from nowhere, it’s always been here—or so Stranger Than Paradise might seem.Jim Jarmusch had completed his first feature, Permanent Vacation, in 1980 and spent the next four years working on his second. Screened a few times as a...

Jun 18, 2007 Dušan Makavejev’s masterpiece explores sexual freedoms and their perils in both New York and Belgrade, using each city and set of practices and problems to help define the other.

Jun 11, 2007 Over the past month or so, it seems as though glancing references to Criterion are popping up everywhere. This morning, I saw Bob Stein, one of the original founders of Criterion, in New York magazine, being interviewed for his fashion...

The Other Side of the Tracks

Production Notes

May 2, 2007 At Criterion, producers spend a lot of time talking about each DVD release—from cover art and liner notes to the special features we present. In the case of the latter, we have a pretty elaborate system in place. We start...

Jan 16, 2007 The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

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