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A History of Violence

May 22, 2006 Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.

Night and Fog

Essays

Jun 23, 2003 Alain Resnais’s antidocumentary never purports to “document” the heinous realities of the Holocaust; instead, it interrogates our responses.

The Killer

Essays

May 5, 1998 Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.

The Killing

Essays

Oct 31, 1988 This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

Hauntings

The Daily

Sep 5, 2025 We’re listening in this week on conversations with Charlie Kaufman, Alice Diop, and Zeinabu irene Davis.

Jun 4, 2025 BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.

IFFBoston 2025

The Daily

Apr 22, 2025 This year’s edition spotlights work by Dea Kulumbegashvili, Alex Ross Perry, Eva Victor, and Ryan White.

Mar 14, 2025 Spend the weekend with Buñuel, Pasolini, Sarah Maldoror, Todd Solondz, and Pedro Almodóvar.

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