[REC]²

May 30, 2024 — The season brings new biographies of Ingmar Bergman and Elaine May, a novel by Miranda July, plus interviews, excerpts, and podcasts

May 29, 2024 — Berlin’s Kino Arsenal presents a series focusing on nature and the nonhuman in cinema.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.