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In Time

Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.

May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

Dec 18, 2000 — Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.

Feb 1, 1999 — Rob Reiner’s directorial debut documents a recent moment in the band’s checkered history—one that only coincidentally represents a brief decline in the sine wave of their careers.

Mar 19, 1996 — “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Breathless

Essays

Jul 8, 1992 — Since its first screening in 1960, Jean-Luc Godard’s astonishing debut has lost none of its power to thrill an audience or change the way we see the world.

Dec 9, 1991 — This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...

Dec 9, 1991 — We used as much of the actual detail of physical things and of technique as we could possibly cram in, and as many players reflecting the endless variety of character and emotion of the real men as dramatization would allow.

Parade

Essays

Mar 31, 1991 — In Jacques Tati’s final work, the physical borders of spectacle and audience are broken down through a variety of means.

Raging Bull

Essays

Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.

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