The Criterion Collection
The Daily
Feb 12, 2021 — The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.
Features
Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...
Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...
The Daily
Feb 8, 2021 — This year’s winners come from India, Corsica, Kosovo, Argentina, Bosnia and Herzegovina, and Thailand.
The Daily
Feb 5, 2021 — This week we’re reading Nick Pinkerton on Fassbinder’s problems with Chabrol and revisiting films by Marguerite Duras, Lizzie Borden, and Béla Tarr.
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Feb 3, 2021 — The lauded star of film, television, and theater was “determined to do all I could to alter the narrative about Black people.”
The Daily
Feb 1, 2021 — Critics and programmers introduce the thirty titles lined up for the Tiger and Big Screen competitions.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
Jan 28, 2021 — Deep Dives Domestic work offers both an agonizing ennui and the satisfaction of a necessary task being completed. In the 1981 documentary Clotheslines, filmmaker Roberta Cantow mines these two moods, as well as the subtler emotions that fill the distance...