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The Fin

Oct 19, 2015 Take a look back at critics’ initial reactions to David Lynch’s haunting masterpiece Mulholland Dr.

Oct 15, 2015 Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

Oct 14, 2015 Fred Astaire and Ginger Rogers. Katharine Hepburn and Spencer Tracy. Add to that list of great on-screen duos the Italian movie legends Sophia Loren and Marcello Mastroianni, who appeared in more than ten films together. Their 1977 film, A Special...

Oct 1, 2015 We may live in a world overloaded with lists, but certain list makers can’t be ignored. Case in point: director Errol Morris has been invited to this year’s International Documentary Film Festival Amsterdam to present ten nonfiction films he finds...

Feb 20, 2015 In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...

Nov 25, 2014 Features Director Michelangelo Antonioni made these famous remarks at the press conference following the May 1960 Cannes Film Festival premiere of L’avventura. They appear here in a translation published in the spring 1962 issue of the journal Film Culture. Today...

Nov 25, 2014 More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.

Oct 21, 2014 As breakup songs go, “Dreaming My Dreams with You,” written by country stalwart Allen Reynolds, is a tear-jerking doozy. It first appeared on the 1975 Waylon Jennings album Dreaming My Dreams. And while it’s been covered pretty frequently, by singers...

May 13, 2014 Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

Mar 11, 2014 Presenting  five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...

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