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The One

Aug 1, 2019 A centerpiece for New York, Canadian films in Toronto, genre fare in Austin, and silent classics in Pordenone, Italy.

Do Look Back

The Daily

Jul 26, 2019 This week’s round features conversations with Abbas Kiarostami, Christopher Doyle, Julia Loktev, and Barry Jenkins.

Jul 17, 2019 In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...

Jul 10, 2019 En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...

Apr 20, 2019 The latest installment of the Criterion Channel’s Meet the Filmmakers series, in which we invite artists to create documentary portraits of directors they admire, sets out for a stroll with an underappreciated American master: Charles Burnett, the poetic realist behind...

Mar 6, 2019 Performances As Howard Hawks was preparing to make His Girl Friday, his 1940 version of the classic Ben Hecht and Charles MacArthur play The Front Page, he was determined not to repeat what he felt had been a problem with his earlier comedy Bringing Up...

Sep 6, 2018 Repertory Picks Tomorrow, as part of its stalwart Summer Double Features series, New York City’s recently reopened Film Forum will give the big-screen treatment to a pair of strange—but strangely fitting—bedfellows: John Waters’ Female Trouble and Leonard Kastle’s The Honeymoon...

Aug 20, 2018 A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.

Jul 5, 2018 As part of a date-night series, the Robinson Film Center in Shreveport screens the greatest baseball movie of all time on the same day our release hits stores.

Jun 4, 2018 For the production design on Mishima: A Life in Four Chapters, director Paul Schrader turned to famed graphic designer Eiko Ishioka. The below images of her groundbreaking sets, as well as this excerpted text, first appeared in the 2000 book...

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