The Hindenburg

Aug 3, 2017 — Pedro Almodóvar’s pitch-black comedy Women on the Verge of a Nervous Breakdown, his first film to earn an Oscar nomination, plays in Denver this Saturday and next Monday.

Jul 31, 2017 — The director behind one of the most acclaimed films of the year, A Ghost Story, explains how David Gordon Green’s poetic vision of adolescence opened his eyes to the possibilities of cinema.

Jul 5, 2017 — Louis Malle’s intimate portrait of the American immigrant experience, commissioned on the centenary of the Statue of Liberty, screens in Pittsburgh this weekend.

Jun 29, 2017 — Jean Cocteau’s gorgeous, wildly inventive adaptation of Mme. Leprince de Beaumont’s fairy tale Beauty and the Beast screens next Wednesday at Lexington’s Kentucky Theatre.

Jun 28, 2017 — Composer Neil Brand discusses the challenges of crafting new music for Alfred Hitchcock’s 1927 silent classic The Lodger: A Story of the London Fog.

Jun 20, 2017 — With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.

Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Apr 10, 2017 — In this 1964 television interview, Jacques Demy defends his use of wall-to-wall singing and Michel Legrand takes to the piano for a few bars from one of his most famous compositions.

Apr 7, 2017 — Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.

Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.