The Criterion Collection
Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.
Jun 27, 2019 — Members of the cast and crew of Hedwig and the Angry Inch discuss the film’s defiant approach to questions of identity and politics.
The Daily
Jun 26, 2019 — After Franju’s Eyes Without a Face, the French actress starred in films by Duvivier, Buñuel, Ruiz, Rivette, Assayas, and Hansen-Løve.
Production Notes
Jun 26, 2019 — The producer of our edition of Agnès Varda’s feminist musical explores the film’s roots in the women’s movement and how the director achieved its warm, playful tone.
The Daily
Jun 24, 2019 — Festivals across the continent celebrate the eclectic oeuvre of the renowned Egyptian filmmaker.
On the Channel
Jun 24, 2019 — Jacques Tati’s cinematic legacy rests on his four sublime comedies featuring Monsieur Hulot, his on-screen alter ego, a gawky, good-hearted Frenchman hopelessly befuddled by the modern world that’s sprung up around him. But no less than such masterpieces as Monsieur...
The Daily
Jun 21, 2019 — Can the movies survive? Can rotten people be great artists? Are we all doomed?
Jun 21, 2019 — The French iconoclast explains how his background in industrial filmmaking helped him bring life to abstract ideas about the human condition.
Criterion Designs
Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.