The Criterion Collection
Interviews
Sep 28, 2011 — As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to Westwood and the set of...
Aug 18, 2011 — The British comedian, actor, writer, and director Richard Ayoade is best known for his starring role on the UK television series The IT Crowd and his successful directorial debut Submarine, which was released in the U.S. in 2011. In selecting...
Jun 14, 2011 — American chef and art-film epicure Anthony Bourdain is chef at large at New York’s Brasserie les Halles; the author of ten books, including Kitchen Confidential and No Reservations; and the host of the Travel Channel’s Anthony Bourdain: No Reservations. Photo...
This most unpredictable of filmmakers enriched cinema over a nearly forty-year career that took him from the peripheries of the French New Wave to the vanguard of American moviemaking.
The clockwork precision, the array of characters, the potential consequences—and all that shiny loot.
Jan 12, 2011 — Scott Morse is a storyteller with one foot in the world of comics and the other in the world of film. His books Soulwind, Tiger! Tiger! Tiger!, and the Kurosawa-inspired tale The Barefoot Serpent have garnered critical acclaim and a...
The history of cinema: one hundred years of do-overs. But no matter how hard the remakers try, no one can surpass these originals.
Oct 8, 2009 — Caitlin Kuhwald designed the covers for Criterion’s editions of Heaven Can Wait, The Thief of Bagdad, and Amarcord. She lives in Oakland, teaches illustration at the California College of the Arts in San Francisco, and is a full-time freelance illustrator....
Sep 22, 2009 — A new era in popular music deserves a new era in filmmaking—that’s the basis of the perfect, fortuitous match-up between rock and cinema in D.A. Pennebaker’s concert film.
Jun 19, 2009 — Forty-six years ago, Last Year at Marienbad opened in London. Resnais and Robbe-Grillet came over for the press screening, and I chatted to them in the lobby of the now defunct Cameo-Poly art house on London’s Upper Regent Street. Resnais...