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Aug 21, 2019 — One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

Aug 20, 2019 — For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...

Aug 19, 2019 — Vitalina Varela leads this year’s award winners at the Locarno Film Festival.

Aug 16, 2019 — In making her nonfiction film The Inland Sea (1991), a poetic chronicle of a journey around the Japanese islands of the eponymous body of water, director Lucille Carra relied on a tried-and-true itinerary. A 1971 travelogue by Donald Richie, also...

Aug 15, 2019 — A stylish and sensitive storyteller with a powerfully romantic vision, Frank Borzage was one of the great filmmakers of Hollywood’s golden age, making more than a hundred movies, in a wide array of genres, over the course of a nearly...

Aug 15, 2019 — The Film Lucille Carra’s 1991 film The Inland Sea is a selective adaptation of the classic 1971 travelogue/memoir of the same name by the renowned expert on all things Japanese—and for cinephiles, the man who was most profoundly instrumental in...

Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...

Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.

Aug 8, 2019 — Rainer Werner Fassbinder, Paul Schrader, and Gus Van Sant tackle tales of love for sale in a new series on the Criterion Channel.

Aug 7, 2019 — The last two days have seen an avalanche of titles filling up the fall festival lineups.