The Criterion Collection
Essays
Sep 6, 1999 — The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...
Essays
Nov 23, 1998 — Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...
Jan 5, 1993 — All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
Apr 4, 1988 — Back in 1968 when The Producers made its debut, writer-director Mel Brooks was better known within the entertainment industry than by the public at large. His writing for Sid Caesar’s Your Show of Shows and the Get Smart television series,...
Essays
Oct 12, 1987 — Akira Kurosawa’s thrilling Cinemascope epic is set squarely within the traditions of the Japanese film genre known as the “Chambara.”
On the Channel
Mar 1, 2018 — Award-winning crime novelist Megan Abbott discusses her formative experiences as a film lover in the latest episode of our Channel-exclusive series Adventures in Moviegoing.
Apr 2, 2018 — Born and raised in Baltimore, Maryland, Barry Levinson is an Academy Award–winning director, screenwriter, and producer. His 1988 film Rain Man, starring Dustin Hoffman and Tom Cruise, won multiple Oscars, including one for best picture. His 1991 film Bugsy received...