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Why that Actor was Late

Jun 26, 2025 One of the defining independent films of its era, François Girard’s provocatively splintered portrait of the great pianist finds playful ways of toying with the cultural mythologization of its subject.

Aug 28, 2024 Albert Brooks and Debbie Reynolds are at their comedic best in this tale of parent-child bonding filled with Oedipal humor and emotional insight.

Jul 9, 2021 One of the most irreverent and boisterously funny voices in American underground cinema has died at eighty-five.

Jun 21, 2012 The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...

May 25, 1992 Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”

Pasolini at 100

The Daily

Mar 3, 2022 Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.

Mar 19, 2021 As skillful at capturing people’s essences as she is at conveying the textures and patterns of haute couture, Brooklyn-based artist Lauren Tamaki has brightened up the pages of such publications as New York Times and the New Yorker with her...

Jul 18, 2019 With its picturesque Provençal village, florid theatrical dialogue, and cast of familiar southern-French actors, dominated by the formidable Raimu, The Baker’s Wife is classic Marcel Pagnol territory. In 1938, when the film was released, the feted author and playwright was...

Feb 16, 2018 “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...

Feb 6, 2018 “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...

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