The White Bus

Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.

Jul 15, 2022 — In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.

Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.

Feb 11, 2022 — The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.

Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.

Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...