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The Room

Oct 10, 2019 Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

Aug 26, 2019 In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...

Jul 11, 2019 The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”

Jul 1, 2019 Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

May 2, 2019 The new issue features essays on work by Joanna Hogg and Olivier Assayas and a celebration of its publisher’s fiftieth anniversary.

Nov 23, 2018 The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...

Nov 9, 2018 Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.

Sep 17, 2018 Once called “the great directorial genius of Hollywood” by Carole Lombard, Gregory La Cava struck comedy gold with this mix of madcap high jinks, irresistible romance, and social commentary.

Aug 13, 2018 From Jeremy Irons in Dead Ringers to Kazuo Hasegawa in An Actor’s Revenge, performers who multitask as several characters in a single film tap into the essential uncanniness of cinema itself.

Dec 14, 2017 Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...

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