The Lost People

Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...

Dec 30, 2017 — Cinema lost a few giants this year, some soldiers, some heroes, duly heralded or not, and links from a good number of the names here will take you to collections of remembrances. I’ve also added notes and a few more...

Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...

May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.

Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Jul 24, 2014 — Everyday life gets a musical makeover in Jacques Demy’s tale of chance and love, a film of exquisitely sad happiness.

Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...