The Criterion Collection
Oct 15, 2001 — The French director’s crime film conveys both the flow and the form of the prison experience.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
Sep 4, 2020 — Amy Seimetz is a filmmaker and actor. In 2012, she released her directorial debut feature, Sun Don’t Shine. Her latest feature film as a director is the acclaimed She Dies Tomorrow, which is now available on most VOD platforms. Seimetz...
Sneak Peeks
Mar 28, 2018 — Cinematographer Billy Williams talks about his experience creating the lush images and expressive lighting in Ken Russell’s boldly stylized adaptation of Women in Love.
Essays
Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.
Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...
The performer and author sings (literally) the praises of the Tootsie score, talks about Barbra Streisand as a “North Star for anyone unconventional trying to make it in show business,” and shares the moving experience of watching My Beautiful Laundrette...
The actor and author raves about the visual beauty of The Color of Pomegranates, shares his love for Debbie Harry and her performance in Videodrome, and reflects on the formative experience of seeing River Phoenix in My Own Private Idaho...
The musician and member of Portishead talks about the overwhelming experience of watching Antichrist, a score he cowrote for The Passion of Joan of Arc, and his memory of a BBC broadcast of Merry Christmas Mr. Lawrence.