The Criterion Collection
Feb 28, 2023 — In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.
The Daily
Jan 14, 2022 — This week we’re watching and reading about Tom Noonan, Jean Vigo, Marie-Claude Treilhou, and Miklós Jancsó.
Apr 20, 2021 — This year’s program will feature a George Stevens retrospective, a tribute to Romy Schneider, a Fritz Lang dossier, and more.
Feb 19, 2019 — A master at adapting literary classics for the screen, Luchino Visconti made a bold choice in emphasizing the homoerotic undertones in Thomas Mann’s novella.
The Daily
Mar 27, 2018 — Back to Mulholland Drive “studies Lynch’s cult classic as a starting point for, and as an influence in, contemporary art,” writes Angelica Frey for Hyperallergic. “According to the book’s editor, the art critic and curator Nicolas Bourriaud, Lynch helped to...
The Daily
Oct 20, 2017 — New York. We opened yesterday’s entry on goings on here and there with a round on MoMA’s series Strange Illusions: Poverty Row Classics Preserved by UCLA, currently running through October 28. We need to again today, because Farran Nehme Smith...
Essays
Apr 25, 2017 — After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.
Short Takes
Aug 18, 2016 — Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...
Short Takes
Jul 18, 2016 — Watch rare footage of the director candidly discussing his film’s production and afterlife, shot in 1983 by director-editor Timothy De Paepe, then a student of Harvey’s, as part of a film-school documentary
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.