Still the Water

Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Sep 19, 2023 — Warmly received in Venice, Cooper’s portrait of Leonard Bernstein and Felicia Montealegre now heads to festivals in New York, Zurich, London, Mill Valley, and Los Angeles.

Feb 14, 2023 — This month’s roundup opens with an appreciation of Preston Sturges and wraps with a book launch serving donuts and damn fine coffee.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.

Sep 24, 2021 — Joanna Hogg, Terence Davies, and Lynne Ramsay look back on their days in film school; and Bill Morrison issues a warning.

Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...

Nov 17, 2020 — Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...

Aug 28, 2020 — “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...

Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...

Dec 6, 2019 — Serge Daney on Sergei Parajanov, James Quandt on Robert Bresson, and Cristina Álvarez López and Adrian Martin on Maurice Pialat are among this week’s highlights.