The Criterion Collection
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.
Oct 8, 2017 — Hong Sang-soo’s On the Beach at Night Alone “is a drama of rare lyrical exaltation,” writes the New Yorker’s Richard Brody. “Kim Min-hee stars as an actress named Young-hee, whose life has been thrown into turmoil by reports about her...
The Daily
Oct 8, 2017 — “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...
The Daily
Oct 2, 2017 — New York. “There could be no better film to open the Flaherty NYC Presents: Out from Under series playing at Anthology Film Archives tonight than A Litany for Survival [1996], the lovely and inspiring portrait on one of the twentieth century’s ultimate warriors: Audre Lorde.” Sonya Redi at...
In Theaters
Sep 14, 2017 — Andrei Tarkovsky brings his austere aesthetic and metaphysical concerns to space in his epic Solaris, playing this week at the Oklahoma City Museum of Art.
Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...
Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...
The Daily
Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...
Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...
The Daily
Aug 29, 2017 — We’re “in dire need of revolutionary narratives,” writes Dan Hassler-Forest. And he grants that a few Hollywood blockbusters have made a stab at it, specifically calling out The Hunger Games, Rogue One, and Mad Max: Fury Road. “But Hollywood’s most...