The Criterion Collection
Apr 22, 2021 — Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...
Apr 13, 2021 — To fall deeply in love means to take a risk, and no romantic movie is riskier than History Is Made at Night (1937). Producer Walter Wanger came up with the very grand and suggestive title, but he had only two...
Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...
Features
Apr 7, 2021 — Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...
Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....
The Daily
Dec 18, 2020 — From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.
The Daily
Nov 25, 2020 — A talk with Claudia Weill, a new issue of Cineaste, and an appreciation of playback singer Asha Bhosle are among this week’s highlights.
Short Takes
Oct 9, 2020 — In the summer of 2020, I spoke with Philippe Garnier about his book Scoundrels & Spitballers: Writers and Hollywood in the 1930s, available for the first time in English from Eddie Muller’s Black Pool Productions. The book introduces a rogues’...
The Daily
Oct 5, 2020 — Three of the five stand-alone features in this anthology series have premiered in New York, and the reviews have been rock solid.
The Daily
Sep 11, 2020 — On our minds this week: New Taiwan Cinema of the 1980s, Black cinema’s “paradoxical role in American cultural history,” the new Brooklyn Rail, and more.