The Criterion Collection
Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Dec 11, 2012 — The climate change expert discusses how Godfrey Reggio’s films presaged widespread concern about global warming and warned about the dangers of consumerism.
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.
Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...
Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.