Jack

Sep 4, 2017 — Alfred Hitchcock achieved Oscar-winning success with this psychological thriller, a tumultuous collaboration with producer David O. Selznick.

Sep 2, 2017 — Remembering Jerry Lewis in a piece for the Guardian, Martin Scorsese recalls working with him on King of Comedy: “Jerry Langford was an uncomfortable role for him to play, because he was skirting the edges of his own life in...

Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...

Aug 17, 2017 — Repertory Picks This weekend, the Gateway Film Center in Columbus, Ohio, will screen a 35 mm print of Dennis Hopper’s era-defining 1969 directorial debut, Easy Rider. Billed as the tale of a man who “went looking for America and couldn’t...

Aug 17, 2017 — Zhao Tao (Mountains May Depart) and Liao Fan (Black Coal, Thin Ice) are set to star in Jia Zhangke’s new film, Ash Is Purest White,” a project formerly known as “Money & Love,” reports Variety’s Elsa Keslassy. “An epic love...

Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.

Aug 11, 2017 — Nicholas Bell calls The Beguiling Bujold, the series of films starring Geneviève Bujold running at the Quad in New York through Wednesday, “a cherry-picked bushel of cinematic delights featuring a bevy of renowned international auteurs,” among them, Alain Resnais, “who...

Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.

Aug 7, 2017 — Todd Haynes is working on a documentary about the Velvet Underground, reports Variety’s John Hopewell. Speaking in Locarno, where he’s receiving the Pardo d’onore Manor for career achievement, Haynes says that he’ll “rely certainly on Warhol films but also a...

Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...